Symposium on Grace Paley at The New School

Grace Paley and the Disturbances of Man: Day 1

Thursday, April 9, 2015 at 10:00 am to 9:00 pm 

Theresa Lang Community and Student Center, Arnhold Hall55 West 13th Street, Room I202, New York, NY 10011

The MFA Creative Writing Program at The New School for Public Engagement and the Gender Studies program at The New School present a symposium on the life and work of legendary New York social activist, poet, short story writer, and feminist Grace Paley.

Paley fought for the rights of women and minorities and protested the Vietnam War and nuclear arms proliferation. It was in her extraordinary fictional stories of ordinary lives and through her grassroots activism that she changed the social and political landscape of her day.

This symposium pays homage to Grace Paley, exploring both her legacy and the complex ways her work still resonates today. The event includes a panel on her life and writings; readings by New School writing students; and a screening of Lilly Rivlin’s documentary, Grace Paley: Collected Shorts, followed by a conversation with the director. There will also be a screening of Peter Barton’s Women of ’69, Unboxed accompanied by a Class of 2015 Yearbox created by Parsons’ students. The symposium concludes with a walking tour of historically and culturally charged sites from Paley’s lifetime in Greenwich Village.

Grace Paley & the Disturbances of Man: Day 2

Friday, April 10, 2015 at 10:00 am to 2:00 pm 

Theresa Lang Community and Student Center, Arnhold Hall55 West 13th Street, Room I202, New York, NY 10011

The MFA Creative Writing Program at The New School for Public Engagement and the Gender Studies program at The New School present a symposium on the life and work of legendary New York social activist, poet, short story writer, and feminist Grace Paley.

Paley fought for the rights of women and minorities and protested the Vietnam War and nuclear arms proliferation. It was in her extraordinary fictional stories of ordinary lives and through her grassroots activism that she changed the social and political landscape of her day.

This symposium pays homage to Grace Paley, exploring both her legacy and the complex ways her work still resonates today. The event includes a panel on her life and writings; readings by New School writing students; and a screening of Lilly Rivlin’s documentary, Grace Paley: Collected Shorts, followed by a conversation with the director. There will also be a screening of Peter Barton’s Women of ’69, Unboxed accompanied by a Class of 2015 Yearbox created by Parsons’ students. The symposium concludes with a walking tour of historically and culturally charged sites from Paley’s lifetime in Greenwich Village.

This is the second day of the symposium, which begins on Thursday, April 9.

This event has been made possible through the generous support of Phyllis Kriegel.

Homage to Nicholasa Mohr

Homenaje: Nicholasa Mohr

Nicholasa Mohr lives in a museum—a comfortable, welcoming museum—but, a museum nonetheless. She took me on a tour of her artwork and sculptures and furniture and statues. Quick-witted and sharp-tongued, Nicholasa had a story to tell with each one. This was painted by this one. That was done by that one. This I bought from a farmer. That was payment from someone who stayed on my couch. This was a present from an ex. That I kept and I got rid of the ex. Each story was big and grand and funny and interesting. After just a few moments, it is easy to understand her great success as a writer: Nicholasa knows how to tell a story.

“I always had the ganas, the desire,” Nicholasa begins. “I always had something to say, so my mother, I think, gave me plenty of pencils and paper just to keep me busy. There was no TV in our house then, so I had to create my own magic.  I got so good so quickly that I began helping other Puerto Ricans in the neighborhood because many of them couldn’t speak English and many more couldn’t write. So, I filled out their forms. Writing for me had a purpose.”

As she got older, Nicholasa began telling stories—not through writing, but through her art. She actually had a very lucrative career in her 20s as a visual artist and printmaker. Her foray into writing was accidental. She published one article on Latino art and was soon contacted by Harper’s.

Nobody was writing stories about Puerto Rican families and children, so “I took the challenge.  Writing took me to marvelous and magical places.  Because I had done so much writing as a child, writing now as an adult was no stranger.”

Nicholasa’s career as a writer is unmatched by any other Puerto Rican writer—male or female—in the US in terms of total sales. She has over 15 books published including several reprints of her children’s books, Nilda, El Bronx Remembered, and In Nueva York. She has nearly a dozen awards including an American Book Award, the NY Times Outstanding Book of the Year, and she was the first Latina to receive the Jane Addams Children’s Book Award. Many of her books and short stories continue to be taught in classrooms across the US.

 “I’m proud of all my honors,” says Nicholasa, “not because of the money or the fame, but because they were given to me for the work I’ve done to show who I am and who we are as Puerto Ricans: our lives, our weaknesses, our triumphs. It comes from a place of pride, pride in being a Nuyorican. I write about the truth of who we are.”

Nicholasa laughs and then continues, “If I didn’t hear a gasp from the publisher when I gave them the amount I wanted to be paid, then I knew I was selling myself short.” 

“You have to believe in what you do,” asserts Nicholasa.  “You can’t let others define you.”

For her work as the first writer of children’s literature for Nuyorican children and as the most commercially successful writer celebrating Puerto Rican life on the US mainland, we honor Nicholasa Mohr.

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